Showing posts with label Pat Tabb. Show all posts
Showing posts with label Pat Tabb. Show all posts

Wednesday, July 20, 2011

Location, Location, Location!

by Pat Tabb


I once heard a writing instructor mention that writing is about fluency.  And fluency finds its impetus in momentum.  “The secret,” she said, “is to keep your work moving, even if you have to try something quirky to fool yourself into staying with it.”
This advice came to mind much later, when I switched from writing shorter works to middle-grade novels.  As with any writing project, I began well.  The keys just seemed to tap away for me.  Then, somewhere in the long middle of it, I was in a writing rut.  I needed to shake things up, “fool” myself into seeing it to its finish, but how? 
A writer friend of mine mentioned that she changes location regularly to keep herself interested and involved in her projects.  Really?  I never considered that I had to move myself just to keep my story moving.  In fact, I thought that my study, set up for writing, was the best place to stick to my routine.  “Even if I can’t get out,” she said, “I’ll change rooms during the day.”  Maybe she had a point.  Was I slowing down from just staying in the same place too long? 
I tried changing rooms, but I was still stuck.  Then I picked up my writing and “took a hike.”  A brief writing session at a Starbuck’s, where folks were obviously on the go, seemed to kick up the verve in my story.  A quiet spot in the library where others were reading, studying, and writing, worked wonders.  Encouraged by their industriousness, I set to work.  Oddly, even while driving out and back, I found my mind clicking with scenes and dialogue.  Any outing provided the impetus I needed, whether writing in a new spot or back at home, too.  Who would have thought it?  (Other writers, it seems; for example, Emily Bronte, who wandered the moors of Yorkshire and Joseph Addison, who trudged a footpath along the River Charwell in Oxford.)  So now when I’m stuck, I change to another location to move the writing along.    
How about you?  What kind of writing atmosphere or location works best for you when you need writing momentum?

Tuesday, May 17, 2011

Story Sense: Writing from the Back Door

by Pat Tabb
In a rush of excitement, I recently began building a story about three characters thrown together through adverse circumstances.  After a number of chapters, I found a flaw. One of them, a girl we’ll call Allie, was the main protagonist and it was her story that was supposed to drive the rest of the narrative.  Problem was, she had a lot of competition from her “peers.”  I needed to establish her at the front door of the book so as to make that clear and to keep the other two strong characters “in their places.” There was no way past it—I had to take a few steps back and write that infernal prologue, where she would make her grand entry.
I wrote the prologue—well, the first prologue.  Then I wrote another.  When I started constructing a third (each telling a different angle of the story), I threw up my hands.  I had written enough of the story to know what it was about, but not enough to know exactly where I was headed; thus, the introduction kept folding on me. 
That’s when I decided to walk around to the back door of my story’s structure.  After asking questions about where I thought Allie (and the other characters) would land at the story’s end, I honored the pictures that came to mind.  Immediately, I took this scene to paper.  It was easier than I had thought.  I had written enough to know my characters fairly well and could project the ending. 
The back door was a great way to explore my story’s introduction.  The prologue that “fit” was much more apparent.   I could make good decisions about what and how much I wanted to reveal about Allie upfront.    
The next chapters took better shape as well.  Now that I am in full swing, halfway through the writing, I am more focused and more productive as I see each chapter a step toward the final scene.  (Although I must admit that the ending still gets a good tweaking now and then.) 
It’s a thought worth considering:  Is there a final scene in mind for your current story? If so, how will it serve the development of the narrative from page one and on?