Showing posts with label author events. Show all posts
Showing posts with label author events. Show all posts

Friday, September 13, 2013

Giveaway!!! Go to the James River Writers Conference for FREE!

We are pleased to announce a giveaway for one lucky RCW reader to win

a free conference registration for both days of the James River Writers Conference in Richmond, VA.


The James River Writer's Conference is in its 11th year and continues to set the standard for providing information, feedback, and networking to writers in the Richmond area.  Publishers, editors, and agents from all over the country come to help writers hone their craft.  For more information about this year's conference, please visit: www.jamesriverwriters.org.

Many of the Richmond Children's Writers members will be at the JRW conference, and we hope to see you there.

To enter, you MUST leave a comment of 100 words or less explaining why you want to attend the conference this year (and then make sure you login to Rafflecopter below and check that item off the list). You may obtain additional entries into the contest by completing other tasks listed on the Rafflecopter tool: spread the word on FaceBook, Twitter, and other formats. The more items you complete, the better your chance of winning!

The giveaway will run from Friday September 13th until Friday, September 27th. Spread the word!

We're excited to read all the responses!  Good luck!

a Rafflecopter giveaway

Sunday, August 11, 2013

Author/Illustrator Interview: Kevin O'Malley

Some people have all the talent, and Kevin O'Malley is one of them. He's an amazing illustrator. He can illustrate other people's stories or he can write his own. He's even written books that other people illustrated. On top of that, he's a fantastic presenter  and a hit with the kids at school visits. He's funny. He's nice (as far as I can tell). You can't hate him because he's too much fun to be around. The only thing to do with people like that is hang out with them any time you have a chance.


Luckily, he's coming to the James River Writers Annual Conference this year, which gives us all a chance to do exactly that. And, I had got the opportunity to interview him for the RCW blog, so we can do some virtual hanging out with Kevin O'Malley (KO, awesomest initals ever). Read on!

RCW: In your experience, how does writing compare to illustrating? Is one more challenging? Is the creative process very different for writing and illustrating? Or are they similar?

KO: When I illustrate, I have tried to satisfy the needs of a lot of writers. Writers always imagine. Their imagination is not not mine. When I get a manuscript I always try to imagine what the writer wants. But the text leads me to something different. Most of the time the author understands, but I have run into... problems.  When I make my books I write for me, I imagine spaces for pictures and I see spaces for text. I'm a poor writer. I write to fill holes that I can't express in in illustration.Writing is far, far harder.

RCW: I'm not buying that poor writer bit. Not for a minute. When you're illustrating a book authored by someone else, how much interaction do you have with the author?

KO: I have done a lot of books. Sometimes the authors like what I have done. Sometimes they want to poke my eyes out with hot pokers. The truth is, illustrator and authors don't talk. I am left to see what I see in the text.
This idea makes authors crazy. But I can say that I've never called an author and asked them to change a bit of text that I find lousy. You have to let the artist have their space. On the flip side, I always offer a piece of art to any author who is kind enough to work with me. Most of the time, truth be told, the writer wants a bit of art. Not sure how I feel about being hit by a dart in a club room basement.

RCW: Bonus safety tip: stay away from darts. So how do you get feedback on your work? 
  
KO: I have lovely friends and relations. They love me. I visit a ton of schools. Kids like my work. That is feedback enough. Praise is wonderful. But being comfortably middle class in a brilliant industry is a joy. My first book got me banned and more 'news' than I was comfortable with. I quickly realized that what I want in kids books and what the biz wants are different.



RCW: How do you decide which project to work on next?

KO: I have been married for twenty plus years to a wonderful women. We have delightful children. When I'm offered a job I consider the pass and fail of the text. Most of the time I want the coin. I will bend over backwards to make everybody happy.

On the flip side... Many years ago my wife fell in love with The Police and the musician Sting. She said, "I would wash his dirty hair." I told her if, on the off chance Sting should want me to do a book, she could have at him. Ten years later I was offered a book by Sting. I took the call while the wife was in the room. It was fish or cut bait. I told them I would call them back and explained the situation to my wife.... She said, "Oh my god, I'm going to wash his dirty hair!" I called the publisher and said no deal. To this day I lay in bed with one eye open.

RCW: So glad to hear your priorities are in order. So, tell us what your typical work day is like.

KO: I get up early and and finish the list of work I mapped out the day before. The muse is bull.

RCW: I'll won't tell the muse you said that. Your books cover a lot of different topics and genres. Is this true for you as a reader as well? What kinds of books do you like to read?

KO: I tend to read non fiction. I've tried so many other ways but true to the guy in me I want information not introspection.

RCW: What kinds of research do you do for your work?

KO: I write what amuses me. Research? Only when I need it. But if you don't love going to a library and hitting the stacks and finding interesting stuff, you don't know what good quality time is all about.

I have wanted to do kid's books since I was in the fourth grade. 
But the truth is, I got lucky. I dreamed of this and by happenstance, it happened. My friends think it's a hoot that it happened. And they are right.

RCW: One last question. What’s your favorite weapon for fighting off zombies? Just kidding, but we still want to know!

KO: Easy. "Shawn of the Dead." I'd throw my lesser ancient records at them. Heck, they're slower than me! 

But don't touch my first pressing 'Gentle Giant' albums man!

RCW: Wouldn't dream of it! Thanks so much, Kevin for the interview. 

If you'd like to join Kevin at the JRW conference, click over and register right now. Many of us at Richmond Children's Writers will be there too, and we'd love to meet up. Look for us there!



Monday, April 29, 2013

No kidding: Writing for kids is serious.

“A priest, a rabbi, and a children’s book writer walk into a bar…”

Last Saturday, about a hundred children’s writers and illustrators walked into the Richmond Public Library to hear author Louise Hawes give an inspiring and informative talk about our craft. Leaving her introductory joke open-ended, she went on to thoroughly deconstruct the common belief that writing for kids is insignificant. Too often it’s thought to be “easy, breezy, and—the most insidious and dangerous stereotype of all—less important.” With an engaging mix of poise and irony, she made the whole notion seem absurd. And yes, dangerous.

How so? Emotions and the constant flow of facts run high from childhood to adolescence. As children’s book authors, we’re making impressions on the most impressionable, most thoughtful people on the planet. Our work involves creating characters who can extend their hands (gently,” encouraged Louise) to our readers and show them the way, show them how to help themselves—out of torment, through struggles, confusion, the issues that can damage for life. Our work can give them a shortcut to compassion, to wisdom, to seeing whats essential in being human. 

If we miss that, they lose, we lose.

She cautioned us, however, that young readers want to read, not for lessons, but for joy. Tell your story—don’t teach it.

Then, under her direction, we took a closer, personal look: “If your adult self could go back in time to speak to your child self, what age would you choose? Six … twelve … seventeen? The age that comes to mind is likely the age you should be writing for.” We each wrote a letter from our adult self to the age that we had chosen. It was a heart-opening exercise for some—revisiting our vulnerability in youth—and a few tears fell. It was further proof how critical it is to reach out to those who are at a critical time in their lives.

As to the delusion its easy and breezy, she explained how a picture book packs a punch in a very short amount of space. How that, like poetry, every word counts. It may take seven minutes to write, or it it may take seven years.

Included in the event were breakout groups for the categories of PB, MG, YA, and NF, with Virginia authors Ellen Braaf, Ginjer Clarke, Troy Howell, Erica Kirov, Lana Krumwiede, Meg Medina, Anne Marie Pace, Brian Rock, and A. B. Westrick. Gigi Amateau, also scheduled to be a facilitator, was not able to come.

…so, taking one look at the priest, the rabbi, and the children’s book writer, the bartender says, “Is this some kind of a joke?” Look again. We know at least one of them who isn’t joking.

Cheers.

___________________

If you’re serious about writing or illustrating for children, consider becoming a member of the Society of Children’s Book Writers and Illustrators (SCBWI), who sponsored this event. The benefits are many.

Louise Hawes is a founding faculty member of the Vermont College of Fine Arts MFA Program in Writing for Children and Young Adults, and an author of over fifteen books for children, teens, and adults. (I’m currently reading her adult short story collection, Anteaters Don’t Dream, and you know you’re in for an amazing read when the first line begins, “I was on fire when I met Harry Too Tall…”)

—Troy Howell

Tuesday, March 26, 2013

Writing for Young Readers


"I have a great idea for a book." 

Great ideas are wonderfully exciting! The hard part is knowing what to do with it. How does one become a writer? There are many answers to that question, and one of them is to get involved in the writing opportunities in your community. There are writers who live right here in Richmond who have had great ideas for books and figured out how to get them published. 

On April 27th, the Mid-Atlantic Region of the Society of Children’s Book
Writers and Illustrators is hosting their Spring Mingle and New Member Welcome. This local event is perfect for anyone interested in learning to write for young readers. Best of all: It's free! 


WRITING FOR YOUNG READERS:
Changing the World One Reader at a Time

Featured Speaker: Louise Hawes


Author of Black Pearls, Rosey in the Present Tense, Anteaters Don’t Dream, and other books for young readers. Co-author of the graphic novel, A Flight of AngelCo-founder of the MFA program in writing for children and young
adults at Vermont College of Fine Arts.


Meet and greet
Break-out groups for writing exercises
Book sales and signing
Refreshments

Saturday, April 27, 2013
1:00 - 4:30 p.m.
Richmond Public Library
101 East Franklin Street


FREE

Please pre-register by April 25, and bring pen & paper for writing exercises. To pre-register, email your name and break-out group preference to
SCBWISpringMingle@gmail.com


Break-out groups:

picture book (PB)
middle grade (MG)
young adult (YA) 
illustrators (IL)
nonfiction (NF)

Facilitators for break-out groups: Gigi Amateau, Ellen Braaf, Ginjer Clarke, Troy HowellErica Kirov, Lana Krumwiede, Meg Medina, Anne Marie Pace, Brian Rock, and A. B. Westrick.

Many of us from Richmond Children's Writers will be there, and we would love to meet you!

Monday, March 18, 2013

The Deductive Detective is on the case!

Last week, the world got its first peep at Brian Rock’s latest picture book: The Deductive Detective.

This delightful book is filled with everything kids like: animals, mystery, humor, and suspense. Parents and educators will love the fact that this book teaches reasoning skills-- like sneaking zucchini into brownies! 

Brian’s book launch party at the Children’s Museum was just as amazing as his new book. In addition to treating us to an author reading, Brian had a real-life detective talk to the crowd. Yummy cupcakes and rubber duckies galore made the atmosphere fun for both kids and adults.

Thanks, Brian, for a terrific party for a terrific book!


Be sure to check out Brian's other titles:





Tuesday, March 6, 2012

SCBWI Event in Richmond


“Everything I Needed to Know: Paths to Success in Writing for Children”
 Presented by the Mid-Atlantic Society for Children’s Book Writers and Illustrators

The program will feature a discussion between literary agent Molly Jaffa (Folio Literary Management) and her client, first time novelist and picture book author, Lana Krumwiede. Other authors scheduled to speak include Kim Norman, Hazel Buys, Carol A. Cole, and Brian Rock. The presentations will focus on various ways in which the authors achieved their first success.   



Saturday, April 28, 2012
1:00 - 4:00 p.m.
Richmond Public Library, 101 East Franklin Street
FREE
 pre-register by April 26
Email name, town and zip code
to VaKidLit@gmail.com

Click the links below to learn more about these wonderful speakers.

Friday, February 24, 2012

Be wise. Revise!

"Revise, revise, revise. Revise until the dang thing stands up and sings!"


This was the advice that award-winning author Graham Salisbury had for young writers. Mr. Salisbury was the visiting author for the Junior League of Richmond's Junior Book and Author event this year. He captivated his audience, young and old alike, with tales of growing up in Hawaii, narrowly escaping vicious eels, maintaining a cool reputation amid shark attacks, and being swept out to sea during a boy scout campout at the beach. But when it came to writing, he was all about revision. "That's when the fun starts," he said. "If you want to be a writer, you want revision. You need revision. You love revision."

His words made me think about how I have come to enjoy the revision process. When I began to see the benefits that diligent it yields, I became a big fan of revision. Here are some of the things revision gives you:

- A better sense of what story you are trying to tell.
- A clearer understanding of your characters.
- Stronger dramatic moments and funnier humorous moments.
- A richer setting.
- Themes that are more fully developed and resonant.
- Consistency in all aspects of the story.

Well, the list is much longer, but that's a start. What else does revision buy you?